Wilson Audio Single Enclosure Loudspeakers

SabrinaX
Flagship DNA

The Chronosonic XVX® is Wilson Audio’s most ambitious and complex production loudspeaker to date. Daryl Wilson and his team of designers and engineers borrowed some of its technology from the limited-edition WAMM Master Chronosonic®, itself the beneficiary of the most prolonged and intense research-and-development cycle in the history of the company. Much of the technology and many of the features of the XVX, however, are new and specific to that model. Indeed, Wilson introduced more new performance and ergonomic elements in the XVX than during any other design effort.

Fresh on the XVX project’s heels, Daryl and his team turned their attention to Wilson’s smallest floorstander. The SabrinaX is a ground-up rethinking of the Sabrina®, the universally loved, small, floorstanding loudspeaker from Wilson Audio. Like the original Sabrina, the new X-version is a rare combination of traditional Wilson hallmark attributes such as bass authority, dynamic resolution, midrange beauty and integrity, and a sense of inherent musical “rightness.” Wilson’s goal was to design a loudspeaker that could stand alongside much larger systems. Like its flagship sibling, the Chronosonic XVX, SabrinaX offers a level of dynamic contrast and harmonic expression that is the defining character of Wilson Audio loudspeakers.

Enclosure

X-Material has long been the cornerstone of Wilson’s composite technology. In its third iteration, X- Material remains unbeatable for its rigidity, inertness, intrinsic damping, and extreme hardness. For this reason, Wilson Audio’s engineers deploy X-Material in several different applications throughout Wilson’s model lineup. The original Sabrina utilized X-Material only in its baffle and lower spike plate. Now, the SabrinaX’s outer enclosure is constructed entirely from X-Material. The SabrinaX cabinet comes that much closer to the near- silent ideal Wilson has relentlessly pursued for decades. The music emerges through SabrinaX from a blacker background. Bass transients and overall clarity are vastly improved. Listeners will hear superior “silence between the notes,” which, among other factors, enhances SabrinaX’s rhythmic timing and pace.

SabrinaX’s new bracing system augments all the above qualities by further reducing cabinet-born resonances. Like all modern Wilson loudspeakers, the engineers meticulously utilized laser vibrometry in an exhaustive exploration of the best cabinet geometries.

Similar to those designed for the XVX's midrange modules, a new low- turbulence vent replaces the aluminium unit used in the older model. The vent is milled directly into its X-Material enclosure. The intrinsic strength of X-Material makes complex vent shapes possible, which improves the musicality and the overall sonic presentation in the midrange.

Drivers

Similar to those designed for the XVX's midrange modules, a new low- turbulence vent replaces the aluminium unit used in the older model. The vent is milled directly into its X-Material enclosure. The intrinsic strength of X-Material makes complex vent shapes possible, which improves the musicality and the overall sonic presentation in the midrange.

The tweeter chosen for SabrinaX is the Convergent Synergy MK5, which Daryl and the team developed initially for the limited-edition WAMM Master Chronosonic. The MK5 later became an integral part of the Chronosonic XVX’s design. The Wilson tweeter combines ultra-low distortion, exquisite micro and macro contrast, and ultra-high resolution, all of which are accompanied by a sense of ease, accessibility, and supreme musicality. Technically and musically, the MK5 is—by a comfortable margin —the most honest and engaging tweeter we’ve experienced to date.

The 5.75-inch midrange driver is remarkably smooth throughout its bandwidth (which extends flat to 2 kHz, facilitating the elevated crossover point to the tweeter). Midrange honesty, resolution, and beauty are the paramount qualities to all Wilson loud- speakers, and SabrinaX’s midrange is no exception. The crossover points allow the driver to perform optimally within the “sweet spot” of its range.

The new 8-inch woofer designed and developed for the Sasha DAW’s bass module now finds a home in the SabrinaX. This state-of-the-art driver is installed into an all-new, exceptionally inert bass cabinet, which provides the perfect platform for the driver’s intrinsically excellent dynamic resolution and transient performance. Together, these elements contribute to a rich and yet ultra-fast mid bass, which is, in turn, supported by an authoritative bass foundation. SabrinaX’s bass articulation, transient speed, and bottom-octave extension will demolish any preconceptions about the bass quality and accuracy that such a small loudspeaker can produce.

Hardware

Unlike the plastic items found in many high-end loudspeakers, Wilson ports have always been heroic.  They machine this critical element from a solid billet of 6061-T6 aluminium. Over the years, Wilson Audio refined their port shapes for better performance. For the SabrinaX, a new geometry effectively reduces already low port noise.

The new model utilizes the same Wilson designed and manufactured binding post as the XVX. It is easier to tighten by hand, and also features a banana-plug option. This unique Wilson Audio connector resets the bar for reliability and sonic integrity within high-current connections.

The SabrinaX uses the same spike/diode assembly found in the Chronosonic XVX, which increases the mechanical impedance path and improves vibration “draining.” The larger diode also enhances the physical presence and beauty of the design.

AudioCapXTM

The first Wilson loudspeaker to benefit from Wilson’s recent integration of capacitor design and manufacturer into its factory in Provo, Utah, was the Chronosonic XVX. Led by engineer Vern Credille, the design team developed a proprietary multi-wound capacitor specifically for the XVX, which the engineers dubbed AudioCapX-WA. The team took a similar approach with Wilson’s smallest floor stander. Vern designed a custom version of the Wilson AudioCapX explicitly for SabrinaX's cross-over. The new capacitor technology significantly lowers the noise floor to even greater extremes, allowing the listener to hear more detail and resolution.

As is true for all Wilson loudspeakers, Wilson’s craftspeople painstakingly hand-assemble SabrinaX’s crossover. Wilson leads the industry for the quality of its crossover execution and ultra-rigorous manufacturing tolerances. The AudioCapX advances Wilson’s ability on this front as well.

Standard Colors: 

• Galaxy Gray
• Quartz
• Carbon

 - Upgrade colors on Request.

Yvette
The Most Advanced Single-Enclosure Loudspeaker

It is natural to view the Yvette within the context of Wilson’s past models. Early on in Wilson’s history, Dave Wilson’s WATT/Puppy literally transformed the high-end loudspeaker market. In an arena dominated by towering, multi-box behemoths, the WATT/Puppy was positively diminutive. But there was nothing small about its sound. Indeed, the WATT/ Puppy redefined what audiophiles thought was possible in the areas of dynamic contrast, resolution, and soundstaging—all this from a domestically friendly form barely taller than a yardstick. The WATT/Puppy captured the imagination of the audiophile world, and went on to be the best selling loudspeaker in the over-$10K category in history.

The Yvette may also invite comparison to another audiophile favourite, the Sophia. For thousands of music lovers and audiophiles, Sophia was their first hands-on experience with Wilson. Sophia was treasured for her unparalleled combination of musicality and accessibility with other traditional Wilson virtues, such as dynamic contrast and sound-staging. She was, above all else, easy-going and eminently lovable.

The new Yvette draws from this rich tradition. But, perhaps more importantly, it derives its core technology directly from the enormous research-and-development reservoir of what is perhaps Wilson’s most prolific era of innovation to date. Wilson’s latest Sasha Series 2, the Alexia, and the leading-edge Alexx have all influenced the Yvette project, in some cases with identical components. And like the Alexx, the Yvette was developed alongside Dave Wilson’s new WAMM project.

Technology Engineered to Serve The Music

In conjunction with the WAMM project, Wilson Audio recently completed yet another wave of research into tweeter technology and exotic driver materials. They all fell well short of the musicality, natural resolution, and coherence of Wilson’s tweeter. The Yvette employs the MK III version of the Convergent Synergy Tweeter, which is also found in the Sasha Series 2 and the Alexx. The MK III features Wilson’s latest thinking on rear-wave diffraction and ultra-low resonance rear chambers. It mates seamlessly with Wilson’s proprietary midrange driver.

Wilson’s venerable seven-inch midrange driver, the same unit in the Alexandria XLF, covers the all-important midrange. This proprietary Wilson driver has served several Wilson models, reproducing the most musically critical portion of the bandwidth with uncanny speed, resolution, and unprecedented dynamic and harmonic expression. Representing Wilson’s commitment to veritable music reproduction, this seven-inch driver is destined to find a home on the list of all-time great drivers.

The ten-inch woofer chosen for the Yvette was (one of two woofers) originally developed for the Alexia, and is a cousin to the ten-inch in the Alexx and the WAMM. These newest series of bass drivers are partially responsible for Wilson’s trademark blend of dynamic contrast, impact, speed, and musicality. When installed in Yvette’s bass enclosure, which was optimized for this driver in terms of volume and resonance control, it pushes the boundary of musical accuracy, extension, and dynamics for such a compact loudspeaker.

Cutting-Edge Composites Developed by Wilson Audio

Wilson remains at the vanguard of enclosure technology. Like all recent Wilson designs, the Yvette is the beneficiary of Wilson’s state-of-the-art composites research, the heart of which is the laser vibrometer. This measurement tool allows Wilson’s engineers to see minute vibrations—on the order of a billionth of a meter.

Yvette’s enclosure is built primarily from two Wilson-developed composites: the third generation of X-Material, an extremely well- damped and inert composite, and S-Material, which was developed for exquisite midrange performance. Bracing in this system is more ambitious and heroic than any previous single-enclosure system.

Standard Colors: 

• Galaxy Gray
• GT Silver
• Quartz
• Carbon

 - Upgrade & Pearl Colors on Request.

Wilson Gloss™  Colors

Wilson Audio’s commitment to quality begins with the sound of their loudspeakers, but hardly ends there. The physical beauty and craftsmanship of Wilson products have long set the benchmark for the industry. Now, Wilson Audio is excited to introduce an updated and expanded range of colors, which include new Premium Pearl options.

WilsonGloss is a multi-stage process, from a proprietary protective gel coat layer through base color to the final series of clear coats—all followed by meticulous hand polishing. The final finish is unrivalled—even by the world’s greatest automobile manufacturers. Wilson Audo have updated the selection of upgrade colors, which are available at a modest surcharge. Wilson Audio Premium WilsonGloss includes five new colors, each in a special pearl finish, which involve additional paint steps. WilsonGloss Premium is the ultimate expression of sophistication and beauty.

When combined with a choice of six grille-cloth colors, it’s easier than ever to individually design your Wilson loudspeaker so that it will complement your décor, or express your pride of ownership. Along with standard black grilles, you can alternatively specify Slate Grey, Parchment Grey, Mocha, Blanco White, or Le Mans Blue at no additional cost. With hundreds and hundreds of combinations available, you have the ability to design a Wilson speaker unique to your taste and décor.

For the ultimate in individual expression, Wilson Audio offers Custom Sample Match WilsonGloss finishes. Through your Wilson Dealer, provide them with your wall color, favourite automotive paint, or just about any color sample and we can, for an additional cost, create your loudspeakers in a one-of-a-kind WilsonGloss finish. This service includes on-site storage of custom paint for a period of five years. Contact your Dealer for program requirements and pricing.

SabrinaX

Yvette